In the Midnight Hour (1666) color belongs to the Blue color family (hue). The hexadecimal color code(color number) for In the Midnight Hour (1666) is #415663, and the RGB color code is RGB(65, 86, 99).
In the RGB color model, In the Midnight Hour (1666) has a red value of 65, a green value of 86, and a blue value of 99. The CMYK color model (also known as process color, used in color printing) comprises 34.3% cyan, 13.1% magenta, 0.0% yellow, and 61.2% key (black). The HSL color scale has a hue of 202.9° (degrees), 20.7 % saturation, and 32.2 % lightness. In the HSB/HSV color space, In the Midnight Hour (1666) has a hue of 202.9° (degrees), 34.3 % saturation and 38.8 % brightness/value.
The color In the Midnight Hour (1666) is a cool color.
In the Midnight Hour (1666) has an LRV of nearly 8.7. By LRV value, it is a dark color.
Light Reflectance Value (LRV) is a measure of how much visible light is reflected off a surface. It is a number on a scale of 0 to 100, with 0 being pure black and 100 being pure white. The higher the LRV, the more light the color reflects and the lighter it will appear.
Compare LRV 8.7 of In the Midnight Hour (1666) with dark and light color
LRV is important to consider when choosing paint colors for a room, as it can affect the overall brightness and mood of the space.
Lighter colors with higher LRVs will make a room feel more spacious and airy, while darker colors with lower LRVs will create a more intimate and cozy atmosphere.
LRV value 8.7 puts Benjamin Moore In the Midnight Hour (1666) paint color in the
darker category.
In the Midnight Hour (1666) (Paint - Benjamin Moore) color codes / color number / color space conversions - HEX, RGBA, CMYK, HSL, HSV/HSB, HYZ, CMY, HWB, RYB
What is Delta E (ΔE)?
Delta E is the standard measure of how different two colors look to the human eye, rather than how far apart their hex codes happen to be. It runs from 0, an exact match, to 100, the largest possible difference — so the lower the Delta E, the closer the match. The match percentage shown on each color below is simply 100% minus its ΔE.
These are the named colors closest to In the Midnight Hour (1666) (Paint - Benjamin Moore), closest match first. Each card shows how much of the color the human eye sees as the same, measured as Delta E (ΔE).
Pantone PMS
In the Midnight Hour (1666) similar/equivalent colors from Pantone PMS. Conversion of In the Midnight Hour (1666) to Pantone PMS
Pantone TCX
In the Midnight Hour (1666) similar/equivalent colors from Pantone TCX. Conversion of In the Midnight Hour (1666) to Pantone TCX
British Standard 4800
In the Midnight Hour (1666) similar/equivalent colors from British Standard 4800. Conversion of In the Midnight Hour (1666) to British Standard 4800
RAL Design
In the Midnight Hour (1666) similar/equivalent colors from RAL Design. Conversion of In the Midnight Hour (1666) to RAL Design
RAL Classic
In the Midnight Hour (1666) similar/equivalent colors from RAL Classic. Conversion of In the Midnight Hour (1666) to RAL Classic
These are the real paint colors closest to In the Midnight Hour (1666) (Paint - Benjamin Moore) from major brands, ranked by Delta E (ΔE) match. A paint above 98% will be hard to tell apart from In the Midnight Hour (1666) once it is on a wall.
Benjamin Moore
In the Midnight Hour (1666) similar/equivalent paint from Benjamin Moore. Conversion of In the Midnight Hour (1666) to Benjamin Moore
Dunn-Edwards
In the Midnight Hour (1666) similar/equivalent paint from Dunn-Edwards. Conversion of In the Midnight Hour (1666) to Dunn-Edwards
PPG Paints
In the Midnight Hour (1666) similar/equivalent paint from PPG Paints. Conversion of In the Midnight Hour (1666) to PPG Paints
Behr
In the Midnight Hour (1666) similar/equivalent paint from Behr. Conversion of In the Midnight Hour (1666) to Behr
Valspar
In the Midnight Hour (1666) similar/equivalent paint from Valspar. Conversion of In the Midnight Hour (1666) to Valspar
Farrow & Ball
In the Midnight Hour (1666) similar/equivalent paint from Farrow & Ball. Conversion of In the Midnight Hour (1666) to Farrow & Ball
Sherwin Williams
In the Midnight Hour (1666) similar/equivalent paint from Sherwin Williams. Conversion of In the Midnight Hour (1666) to Sherwin Williams
Monochromatic colors belong to the same hue angle but different tints and shades. Monochromatic color palette can be generated by keeping the exact hue of the base color and then changing the saturation and lightness.
Analogous colors are a group of colors adjacent to each other on a color wheel. Group of these adjacent colors forms Analogous color scheme Palette. Analogous Palette can be generated by increasing or decreasing the hue value by 30 points.
The triadic color palette has three colors separated by 120° in the RGB color wheel
The tetradic colour scheme composed of two sets of complementary colors in a rectangular shape on the color wheel.
Complementary / Opposite Color
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors also called opposite colors. Complementary color schemes are created using two opposite colors on the color wheel. The examples are red–cyan, green–magenta, and blue–yellow.
Color that best contrast with Benjamin Moore In the Midnight Hour (1666) - #415663 is #634E41, color name is Umber*. Contrast indicates a strong difference in color. Contrasting color can be found several ways, Complimentary contrast is one of them. Complementary contrast colors are opposite each other on the color wheel.
Complementary or Opposite color for Benjamin Moore In the Midnight Hour (1666) - #415663 is #634E41, color name is Umber*.
