After Midnight (CSP-630) color belongs to the Blue color family (hue). The hexadecimal color code(color number) for After Midnight (CSP-630) is #33383E, and the RGB color code is RGB(51, 56, 62).
In the RGB color model, After Midnight (CSP-630) has a red value of 51, a green value of 56, and a blue value of 62. The CMYK color model (also known as process color, used in color printing) comprises 17.7% cyan, 9.7% magenta, 0.0% yellow, and 75.7% key (black). The HSL color scale has a hue of 212.7° (degrees), 9.7 % saturation, and 22.2 % lightness. In the HSB/HSV color space, After Midnight (CSP-630) has a hue of 212.7° (degrees), 17.7 % saturation and 24.3 % brightness/value.
The color After Midnight (CSP-630) is a cool color.
After Midnight (CSP-630) has an LRV of nearly 3.9. By LRV value, it is a very dark color.
Light Reflectance Value (LRV) is a measure of how much visible light is reflected off a surface. It is a number on a scale of 0 to 100, with 0 being pure black and 100 being pure white. The higher the LRV, the more light the color reflects and the lighter it will appear.
Compare LRV 3.9 of After Midnight (CSP-630) with dark and light color
LRV is important to consider when choosing paint colors for a room, as it can affect the overall brightness and mood of the space.
Lighter colors with higher LRVs will make a room feel more spacious and airy, while darker colors with lower LRVs will create a more intimate and cozy atmosphere.
LRV value 3.9 puts Benjamin Moore After Midnight (CSP-630) paint color in the
darker category.
After Midnight (CSP-630) (Paint - Benjamin Moore) color codes / color number / color space conversions - HEX, RGBA, CMYK, HSL, HSV/HSB, HYZ, CMY, HWB, RYB
What is Delta E (ΔE)?
Delta E is the standard measure of how different two colors look to the human eye, rather than how far apart their hex codes happen to be. It runs from 0, an exact match, to 100, the largest possible difference — so the lower the Delta E, the closer the match. The match percentage shown on each color below is simply 100% minus its ΔE.
These are the named colors closest to After Midnight (CSP-630) (Paint - Benjamin Moore), closest match first. Each card shows how much of the color the human eye sees as the same, measured as Delta E (ΔE).
Pantone TCX
After Midnight (CSP-630) similar/equivalent colors from Pantone TCX. Conversion of After Midnight (CSP-630) to Pantone TCX
RAL Classic
After Midnight (CSP-630) similar/equivalent colors from RAL Classic. Conversion of After Midnight (CSP-630) to RAL Classic
British Standard 4800
After Midnight (CSP-630) similar/equivalent colors from British Standard 4800. Conversion of After Midnight (CSP-630) to British Standard 4800
RAL Design
After Midnight (CSP-630) similar/equivalent colors from RAL Design. Conversion of After Midnight (CSP-630) to RAL Design
Pantone PMS
After Midnight (CSP-630) similar/equivalent colors from Pantone PMS. Conversion of After Midnight (CSP-630) to Pantone PMS
These are the real paint colors closest to After Midnight (CSP-630) (Paint - Benjamin Moore) from major brands, ranked by Delta E (ΔE) match. A paint above 98% will be hard to tell apart from After Midnight (CSP-630) once it is on a wall.
Benjamin Moore
After Midnight (CSP-630) similar/equivalent paint from Benjamin Moore. Conversion of After Midnight (CSP-630) to Benjamin Moore
Sherwin Williams
After Midnight (CSP-630) similar/equivalent paint from Sherwin Williams. Conversion of After Midnight (CSP-630) to Sherwin Williams
Valspar
After Midnight (CSP-630) similar/equivalent paint from Valspar. Conversion of After Midnight (CSP-630) to Valspar
Dunn-Edwards
After Midnight (CSP-630) similar/equivalent paint from Dunn-Edwards. Conversion of After Midnight (CSP-630) to Dunn-Edwards
PPG Paints
After Midnight (CSP-630) similar/equivalent paint from PPG Paints. Conversion of After Midnight (CSP-630) to PPG Paints
Behr
After Midnight (CSP-630) similar/equivalent paint from Behr. Conversion of After Midnight (CSP-630) to Behr
Farrow & Ball
After Midnight (CSP-630) similar/equivalent paint from Farrow & Ball. Conversion of After Midnight (CSP-630) to Farrow & Ball
Monochromatic colors belong to the same hue angle but different tints and shades. Monochromatic color palette can be generated by keeping the exact hue of the base color and then changing the saturation and lightness.
Analogous colors are a group of colors adjacent to each other on a color wheel. Group of these adjacent colors forms Analogous color scheme Palette. Analogous Palette can be generated by increasing or decreasing the hue value by 30 points.
The triadic color palette has three colors separated by 120° in the RGB color wheel
The tetradic colour scheme composed of two sets of complementary colors in a rectangular shape on the color wheel.
Complementary / Opposite Color
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors also called opposite colors. Complementary color schemes are created using two opposite colors on the color wheel. The examples are red–cyan, green–magenta, and blue–yellow.
Color that best contrast with Benjamin Moore After Midnight (CSP-630) - #33383E is #3E3933, color name is Black Pepper*. Contrast indicates a strong difference in color. Contrasting color can be found several ways, Complimentary contrast is one of them. Complementary contrast colors are opposite each other on the color wheel.
Complementary or Opposite color for Benjamin Moore After Midnight (CSP-630) - #33383E is #3E3933, color name is Black Pepper*.
